Introducing… By the Graveside of a Mind

It begins. There’s some stuff we have to pay attention to.

In the 20th Century, graves were tended with flowers.

In the 21st Century, they were, too.

It is a grave for Western Culture. With the seeds of a new culture within it. This culture has been growing for a long time. For years, Richard has been arguing that this new culture is transcultural, that it lies at the point where cultures collide, along with the socially-conditioned meanings and experiences they carry and pass on. Wars start at these points, wars that have destroyed everything that Richard built in Africa while he was there trying to end the wars that came before them. It wakes a man up, you know. One feels complicit.

Two ghosts in Afrika.

Richard is very clear that these cultural intersections are not stresses between existing cultures, which only need to be separated and returned to a former state. But, here, take it from Richard himself, describing the difference in an application for admission to Cambridge, where he had hoped to create a transcultural literary genre, before the university got confused and tossed him out:

Richard has written a goodly lot of texts like that, which are meant to appeal to neurotypicals, before he finally accepted that neurotypicality was a transcultural audience, too, and that the drive to find acceptance in what was essentially a past culture was going to fail and he’d better get up to speed, quick. By a past culture, I mean something like this, from the Cambridge site:

Poe was writing nearly 200 years ago, in a transcultural situation, not one of a steady culture seeking to reform itself on a new continent. His model wasn’t, say, Daniel Defoe writing about the Plague in London, just as Hemingway (who Dr. Lucy Durneen, ICE Creative Writing tutor also mentions) makes a lousy model for writing about Africa.

If Papa Hemingway is a big game hunter, aren’t you the game?

Ladies and Gentlemen, it is not a game. Lives are at stake. Yours.

But, don’t take it from me. Take it from Richard himself:

Retrieved.

To translate, it’s not a belief in retrieving common humanity through the equivalency of diverse cultures reaching a state of refinement, but of ferment.
Creative immigration.

This time, it’s for everyone, not just the neurotypicals.

Richard in his Russian Prison days, past, present or to come.

If you haven’t noticed, there’s a war going on.

Grotesques: Part 2

The writer is decomposing. You can view the initial decomposition here.

I ran outside with my reeled tape recorder to get the instance of the deluge to send to my sister far away in Ontario.

She was beginning her slow death from disease that meant she would never travel.

It was to remind her of leaving the house as I did as a summer storm came across the lake.

We sat on the hood of my car and talked of our future.

The thing is, people are going through cultures.

They travel from one in transition to another.

In this form of architecture, culture is not in statements.

This is not a statement.

Barbaros
It is in the flash of an eye between them.

I am haunted by Africa.

Andros

The cultural nationalists, the ones who are burning down schools, are not going to end up with the rebirth of a tradition.

They will make a tradition.

I was hired to build those schools. I built a mosque instead. Eventually, they burnt that, too.

anoitos

The ideologues among the oppressed or even their representatives are not going to make new women and men in a work of art.

They are, however, expressing a transcultural encounter.

For example, when I wore a literary mask, I was bullied into defining and redefining the obvious over and over again without qualification:

I should have moved to Switzerland.

race, gender, ideology, the cultural nationalist industry that evolved from the unequal development of oppressive globalization and the mirror development of, for example, the novel on different continents and in different cultures, needs to protect its product.

We would do well to say these things.

The aspirant tribunes of the people need to protect their publications and jobs. For this, they need to create people.

Marx should have mentioned that.

Identity is the product.

Identity is the subject.

Identity is the object.

It is all they can think of.

It won’t help to blame Hitchcock.

People!